When I speak to colleagues in ethnomusicology, I speak in academic language. It is the language of the university world. And so in this research blog I theorize various ways that music can be thought about as a human biocultural resource. In a nutshell, I will critique the currently prevailing sustainability strategies aimed at encouraging musical diversity by embracing economies through commodified products. Instead, I favor community partnerships encouraging collaborative, small-scale, amateur, face-to-face music-making without mediation or display. I believe that insights from applied ecology and from organic gardening will help in thinking about music and sustainability.
I have been thinking about "worlds of music" as music-based cultural ecosystems since 1984 when I introduced the analogy in the book, Worlds of Music (New York: Schirmer Books, 1984, p. 9): "Each world [of music] can be regarded as an ecological system, with the forces that combine to make up the music-culture . . . in a dynamic equilibrium." Although much of my activities over the years as a folklorist and ethnomusicologist have involved music and sustainability, I began to try to theorize it more systematically a few years ago. The previous paragraph is taken from one of my formulations for a paper delivered in the fall of 2006 at the annual conference of the Society for Ethnomusicology.
I will be posting to this blog various observations and ideas on music and sustainability, some from past years, others going forward. Readers interested in the subject are invited to post comments and suggestions.